Although aspects of both minimalism and conceptualism can be seen in their preceding periods, this essay will focus on the works of artists that best exemplify such movements within the 1960s to 1970s minimal art attempted to fulfill the demand for art that would be entirely void of pictorial representational qualities and their significations.
Although aspects of both minimalism and conceptualism can be seen in their preceding periods, this essay will focus on the works of artists that best exemplify such movements within the 1960s to 1970s.
By the end of the 1970s, minimalism had triumphed in america and europe through a combination of forces including museum curators, art dealers, and publications, plus new systems of private and government patronage although the essay seemed to confirm the importance of the movement as a turning point in the history of modern art, fried was.
With theory taking hold at the core of artmaking, especially at the hands of 1960s critic du jour michael fried, “concept” replaced subject but it was sol lewitt’s 1967 “paragraphs on conceptual art” that widely circulated the term, which then became a fundamental and enduring art genre.
Minimal art explained step by step: goals & objectives, theory, characteristics, key artists and important works introduction to minimal art minimal art is a school of abstract painting and sculpture where any kind of personal expression is kept to a minimum, in order to give the work a completely literal presence.
Minimalism in visual art, generally referred to as minimal art, literalist art and abc art emerged in new york in the early 1960s as new and older artists moved toward geometric abstraction exploring via painting in the cases of frank stella, kenneth noland, al held, ellsworth kelly, robert ryman and others and sculpture in the works of various artists including david smith, anthony caro, tony smith, sol lewitt, carl andre, dan flavin, donald judd and others.